ARTBARRAGE PRESENTS
Jordan MacLachlan's
CONDO LIVING
"comfortably housed on a condo
floor plan, yet possess[ing] a
barbarism that one would not expect
to find beyond the walls
of our neighbours"
as you enter the gallery you quickly begin to feel
that you are intruding on someone's privacy
and then your friend, who has accompanied you to the show points at one piece, resplendent on its own grey plinth,
and says -
and says -
"That's how I felt last night, but there was no dog"
Jordan MacLachlan says that she makes
"figurative narratives that are meaningful to me,
and reflect the life i have lived,
often appearing quite frank,
while at the same time
possessing an 'aliveness'
as though there were
someone home inside
each piece"
yes, indeed, someone is home
and making merry
with a variety of poses indirectly
influenced by the artist's exposure to a
Metropolitan Museum of Art book
Playing With Fire, European Terracotta Models, 1740-1840 (2003)
delightfully voyeuristic,
an array of
"true-to-life narratives
that reflect the often raw and contradictory
nuances of human nature...afford[ing] viewers
poignant glimpses of a brazen underside,
revealing the teeth of life
through emotional grit"
cast in the perfect medium for a playful,
frequently 'natural' foray into the many scenes
that play themselves out
in the spaces we call our homes
"Condo Living is a series of figurative sculptural vignettes...derived from [the artist's] Unexpected Subway Living installation, originally shown at MOCCA in Ineffable Plasticity: the experience of being human exhibition
[2011], curated by Camilla Singh"
[2011], curated by Camilla Singh"
Condo Living is a must see because
it dares to be bold and simple
utilizing the artist's love of a natural substance
that she has always been attracted to,
creating 'natural' scenes that we may be frequently attracted to despite any desire to hide the rituals & routines we may find ourselves immersed within -
it dares to be bold and simple
utilizing the artist's love of a natural substance
that she has always been attracted to,
creating 'natural' scenes that we may be frequently attracted to despite any desire to hide the rituals & routines we may find ourselves immersed within -
"I have always been partial to working with clay
because it has been able to fit into
just about any of my life circumstances,
big or small"
because it has been able to fit into
just about any of my life circumstances,
big or small"
much like the "big or small" scenes crafted by a hand
adept at representing intimacy in the most ordinary places,
MacLachlan's talent for displaying life as she has seen it
rests beautifully within a field of grey and white at -
ArtBarrage
until May 11th
photos by Walter Willems
ARTBARRAGE, 80 SPADINA, SUITE 208, 647 895-3374
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